Harmonization is the place where you accept something as straightforward as a solitary note, one finger tune, and transform that into a melody where you are playing more than each finger in turn. Re-harmonization is the place where you take a current tune and play it with totally various harmonies, maybe to give it a more heartfelt and contemporary feel.
In the event that you have any music understanding information or experience, I am certain that you realize that Músicas Gospel from a congregation hymn book that is played as it is composed is exhausting and plain. Have you ever been in a community gathering where the organist or musician is perusing the music from the hymn book, yet you know darn well, that what they are playing, isn’t what is written in the hymn book, and pondered where is the lovely music that they are playing coming from? They are re-blending as they play!
The cycle of re-harmonization is something that you will have the option to do in a flash after you comprehend the cycle.
Have you ever tuned in to a bit of music that you have never heard, however is being performed by a craftsman that you know about, and you were quickly ready to distinguish the craftsman and state “Hello, that’s, Stevie Wonder, or that is Ray Charles.” You had the option to do this since you perceived that craftsmen harmonization’s. Performers will in general have most loved harmonization’s; ones that they will in general utilize all the time. It is the performers’ harmonization’s, that characterizes the artist and what their identity is. The harmonization characterizes the craftsmen’s style, and enables you to remember them, despite the fact that you may have never heard the melody.
The composition of agreement has generally been exemplified in a broad arrangement of formal guidelines. Notwithstanding, music so orchestrated quite often hints of a traditional sort and the harmonies and harmony developments are to some degree unsurprising. This is on the grounds that the harmonization cycle generally observes the conventional standards of amicability.
Music has for some time been orchestrated physically. That is, regardless of whether arrangers enter the notes or harmonies into a machine, for example, a PC, or keep in touch with them by hand, they depend on their insight into the standards of agreement, or on what they think sounds great to their own ear. It is a repetitive cycle, and it is hard to understand at the same time all the numerous guidelines.
Mechanized harmonizers have been an element on electronic pianos and consoles for a long time. There are additionally equipment and PC programming accessible to help in the harmonization cycle; nonetheless, the subsequent harmonization is in every case extremely plain sounding. The subsequent harmonies are generally the conventional major, minor, seventh and decreased harmonies.
The subsequent harmonization quite often hints of an old style nature, and the harmony developments are to some degree unsurprising. This is on the grounds that the harmonization cycle adheres to the conventional principles of congruity.
In music resulting to traditional, a disrupting of the norms is in some cases important to accomplish a specific impact. In adhering to the conventional guidelines, one won’t give a harmonization result that is demonstrative of the melodic sorts of soul, dark gospel, and R&B.
At the point when we take a gander at the class of gospel and soul, harmonization of a tune is happening without dependence on the formal conventional guidelines of amicability. The customary guidelines of congruity are being broken. You won’t locate any conventional guidance or composed documentation on what’s going on here. It is the disrupting of the guidelines that outcomes in that sound and those lovely harmony changes.
There are two issues that you should defeat to get that lovely solid.
1) Stop playing those basic harmonies (ex. major. Minor, seventh, faint).
2) Stop keeping the customary guidelines of congruity.
Allow us presently to take a gander at a straightforward model. We are on the whole acquainted with the key of (C). This is the key that has the entirety of the white keys on the piano and comprises of the notes (C), (D), (E), (F), (G), (A), (B) and (C).
I am certain you have head ordinarily that when you need to orchestrate a tune you should utilize the harmonies that compare to the (I), (IV) and (V) of the significant scale.
The (I) harmony, is the harmony that compares the first note of the size of the key that the tune is in. Thus, in the (C) scale the first note is a (C), so this would compare to a (C) harmony.
The (IV) harmony, is the harmony that compares the fourth note of the size of the key that the tune is in. Thus, in the (C) scale the fourth note is an (F), so this would compare to a (F) harmony.
The (V) harmony, is the harmony that compares the fifth note of the size of the key that the tune is in. Thus, in the (C) scale the fifth note is a (G), so this would compare to a (G) harmony.
In this way, in the key of (C), they are disclosing to you the harmonies to utilize are (C), (F) and (G) to fit your music. Leave me alone the one to reveal to you that is you utilized these straightforward harmonies, you will sound exhausting and plain.
In pretty much every bit of music you will have the option to discover a harmony development moving from the (V) harmony to the (I) harmony. This is known as a (V) – (I) movement. In the key of (C), this would be a (G) harmony moving to a (C) harmony.
We supplanted the basic (V) (G) significant harmony with a G9sus, and we supplanted the (I) (C) significant harmony with a C6,9. These are both exceptionally excellent harmonies. We have likewise added an extra (V) harmony, the G7b9 add 6. At that point we disrupted the conventional guidelines and embedded harmonies dependent on notes that are not even in the (C) scale. There is no (Eb), and there is no (Db) in the (C) scale.
We actually have a (V) – (I) movement, from (G) to (C), however we have added some lovely harmony changes in the middle.
In the event that you advised somebody that you planned to play harmonies that were not even in the (C) scale, they would presumably see you like you had two heads and imagine that would sound horrible. I am certain that you will all concur that the development above is delightful. On the off chance that we needed to make things a stride further, and truly stable nice,we could likewise play some sort of (Gb) and (Ab) harmony, despite the fact that both of these notes are not in the (C) scale. This is one of they many key undocumented focuses on getting that ‘sound’; playing harmonies dependent on notes that are not in the size of the tune.
To get that wonderful sound you are searching for, you must disrupt the conventional norms of congruity and take a gander at things in an entirely different point of view.
Inventive Music has built up a progressive strategy empowering console artists to rapidly orchestrate a line of notes with boundless harmony changes. Envision having the option to play an alternate harmony on each tune note! Regardless of whether it is gospel, jazz, contemporary and so forth, Creative Music has distributed five volumes (1200 pgs) of instructional material that delineates pictorially in shading with simple to-adhere to printed text guidelines, of how to fit music of your decision with cutting edge voicings. The framework is to such an extent that no two artists will concoct the equivalent coming about harmonization.
Their patent forthcoming innovation has been globally acclaimed by clients who essentially witness that the new learning premise is completely rehashing and restoring how music should be educated hereafter.
Gregory Moody Creative Music’s author is a refined artist and computer programmer, who comes from a family genealogy of performers, i.e., his reality acclaimed cousin NEA jazz ace, alto saxophonist, James Moody.
A word from Gregory Moody:
“The Adventures in Harmony Course” comprise of many harmony voicings that have been PC designed and demonstrated utilizing exclusive PC calculations. Interestingly, these harmonies can be fit together in any request like children building squares to make an endless chance of harmony movements and harmonization’s. In after our framework, it is almost difficult to assemble harmonies and make harmony movements that are not satisfying.
In this course, there are no movements or tunes to recollect. This is on the grounds that the understudy is applying our methods to music based on their personal preference to make their own one of a kind harmonization. By utilizing the course materials, understudies will have the option to rapidly transform their single finger tunes into bright harmonization’s.